Milioni di MP3 e la “Mia Personalità” mancante
Millions of MP3s and the missing “My Personality”
Jun 5th, 2008 by Ivo |
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Recently, during an Italian conference dedicated to music on the Net, one boy said to the speaker, “We can download the complete discography of any artist, but the problem is: What do we like?”
This question summarizes the entire journey of the market society which offers countess choices but does not give the instruments for creating a solid individual identity. One of the reasons for the discomfort in choosing is almost “technical”: Barry Schwartz is the author of The Paradox of Choice: Why More Is Less. He affirms that the great varieties of choices present in rich societies create paralysis instead of liberation.
People prefer to make no decision rather than face complicated choices. Decisions, once made, produce less satisfaction as people have greater reason to regret the decisions they have made. Moreover, it creates unrealistic expectations and self-blame when the results are not perfect. Finally, the explosion of choices may be a significant contributor to depression.
An excess of information, as is prevalent in present societies, happens at the expense of knowledge and reflection, acts of interiority that are “soul-making” and which need to stop and stay for a while in the slower and emptier spaces. Being submerged in a great number of options and comparison between their features keeps us at a superficial informative level, without entering the genuine reality of the choice, which we could know for real only once we have made the experiential jump, whatever it is, for instance, purchasing a gadget, taking a trip, or choosing a person to meet with.
But I find that the most important factor is connected to the psychological construction of an individual. When we make a choice driven by the market, at that very moment we get deluded that “we are really ourselves,” that we ourselves decide about our lives and are aware of our preferences as independent people “who know what they want.”
The choices and the personalizations offered to us by industry simulates the creation of one’s identity. When we choose between five, 20 or even hundreds of options, we feel as if we are on firm ground in a situation which we believe we can control. We feel for a moment as if we were original people, but our particularity is held up by the supports predetermined by somebody else. It reminds me of the episode of the Blues Brothers when they entered the place where they were supposed to play music and asked, “What kind of music do you usually have here? Oh, we got both kinds. We got country and western.”
In order to be accepted and to be successful in society we have to be at the same time both like all of the others, and better than the others. We have to be unique, but inside the accepted and recognized parameters. Being who we are, means, as Lee Siegel affirms that one “must sound more like everyone else than anyone else is able to sound like everyone else” (Against the Machine, New York: Spiegel & Grau, 2008, p. 73). This applies in ordinary life in the way of introducing ourselves in our profiles on Internet sites.
Going back to the question of the boy, “But what do we like?” The question preceding that one is, “How are personal preferences created?” One’s musical predilections reflect one’s nature. The music passes through and connects the body, the mind, the emotions and the spirit and bonds with something profound in us. The presupposition of “what we like” regarding music is “who we are” as human beings, and this is hardly to be found out by downloading thousands of musical pieces from the Net.
Music resonates with our essential human qualities. An energetic kind of music cannot be really appreciated deeply if we do not recognize and accept our inner force. A sweet and sentimental kind of music cannot reverberate in us if we do not accept our vulnerability and tenderness. In the same way, music can help us to recognize and to feed such internal qualities in a reciprocal feedback with our soul. But the authentic human qualities that make us at the same time a part of the larger humanity and unique in their expression can’t be fed by choosing between the commercial options.
The ability to choose is what makes us free, and it is this authentic desire of the soul which is being manipulated by the offerings of commercial choices. It is not about choosing an infinite number of MP3s, but about creating our own My Personality.




C’è un’altro aspetto della faccenda “dowload libero” che ho proprio vissuto sulla mia pelle..
E’ questo affondare nel mare magnum del “tutto-e-subito” che non ha confini e che spinge ad oltrepassare ciò che riteniamo nostri bisogni o soddisfacimenti usuali,nella spinta compulsiva verso un’”altrove da qui”..e che, come dopo ogni sbornia,porta ad uno sbandamento verso ogni riferimento sensoriale, sino alla vera e propria disaffezione verso ciò che ritenevamo nutrimento essenziale per noi…
la musica in questo caso..